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Decolonizing Comparative Methodologies Through Non-Canonical Imaginaries

Type: Physical

Description

The seminar proposes to re-conceptualize methods by placing decolonial approaches, non-canonical imaginaries and alternative epistemologies at the center of comparative analysis. It takes up three key ideas of contemporary thinkers — including Édouard Glissant, Gloria Anzaldúa, Paul Gilroy, Stuart Hall and Walter Mignolo — as tools for comparing literatures, namely transnational, Indigenous, and archipelagic works. These ideas include: (a) the irrecoverability of origins, particularly in relation to colonialism, slavery, diaspora and identity formation; (b) the tendency to validate living archives — collective memory, mythic and non-rational forms of knowledge — against Western modernity’s privileging of reason, empirical origins and linear history; (c) the idea of archipelagic plurality vs. continental totality — openness to others in the Diverse introduced by Glissant’s concept of “relation" (Philosophie de la relation, 2009, p. 45); Anzaldúa’s “mestiza consciousness” (Borderlands/La Frontera, 1987); Gilroy’s diasporic ethics of conviviality (The Black Atlantic, 1993), Hall’s concept of identities as “in process” (Cultural Identity and Diaspora, 1990, p. 225), and Mignolo’s idea pluriversalisalism (The Darker Side of Western Modernity, 2011, p. 32). 

The seminar will comprise up to twelve 20-minute papers over three sessions, exploring how these theories can inform the comparative analysis of literatures in order to enable comparisons beyond the institutional divisions of literatures, languages and knowledge systems. It also asks: To what extent can these approaches be used to compare and capture the distinctiveness of contemporary non-canonical literatures—those that are historically subordinated within mainstream political and literary systems and represent marginalized, underrepresented cultures, voices and perspectives? How can these approaches diversify the postcolonial paradigm in comparative analysis? Which literary metaphors fit these theories? The seminar welcomes abstracts that engage with a variety of cultural and literary forms — novels, essays, oral works, historical texts, plays, paintings, digital media — outside the canonical European and North American contexts, while exploring how these theories are put into practice and allow transcultural, transregional comparisons and relations.  

Possible paper topics include but are not limited to: 

  • Decolonizing Comparative Methodologies
  • Non-canonical Imaginaries and Epistemologies
  • Literary metaphors of archipelagic plurality
  • Transnational and Indigenous literature
  • Pluriversalism and Decolonial Thought
  • Diasporic Ethics and Conviviality
  • Challenges to Institutional Divisions
  • Identity as Process

 

 

 

 

 

 

Schedule

Friday, February 27, 2026
2:00 PM EST - 3:45 PM EST
Room: 514A

Papers

Comparative Performativity in Ahmed Abou Dehman’s La Ceinture and Al-Hizam: Rewriting Identity Across Languages
sarah ALfaisal — Imam Muhammad bin Saud Islamic University
Speaker Bio

 

Dr. Sarah Al-Faisal is an academic and former Dean at Imam Mohammad Ibn Saud Islamic University, where she also held multiple academic and administrative leadership roles and contributed to the university’s strategic plan. She is a Board Member of the Saudi Human Rights Commission and a UNITAR Human Rights Fellow. Her research bridges literature, cultural criticism, and human rights, with a focus on performativity, identity, and Arabic literature in global contexts.

Screens, Scripts, and Skins: Violent Visuality and Politics of Decolonization in Lu Xun and Frantz Fanon
Tianyi Shou — University of Michigan-Ann Arbor
Speaker Bio

Tianyi Shou is a postdoctoral fellow at the University of Michigan, Ann Arbor, specializing in global imperialism, transnational modernism, and global Asias. She is working on a book project that explores how 20th-century Chinese and Caribbean writers reimagined global space-times through relations with racialized cultural others. Her work has appeared or is forthcoming in Twentieth-Century Literature, MCLC, Comparative Literature Studies, and the 2024 ACLA State of the Discipline Report.

Comparing non-canonical Afrofuturism and Indigenous Futurisms
Tamar Barbakadze — Université du Québec à Montréal (UQAM)
Speaker Bio

Tamar Barbakadze is the SNSF Postdoctoral Researcher at the UQAM. She holds a PhD in Arts from the University of Lausanne, and a joint master’s degree in European Literary Cultures (Italy, France). She is an author of several articles and the monograph Catherine Colomb’s Vision of Time: In Dialogue with Marcel Proust and Virginia Woolf (Peter Lang, 2022). Her current research focuses on the questions of decolonization, indigeneity and ecology in literary studies.

Friday, February 27, 2026
4:00 PM EST - 5:45 PM EST
Room: 514A

Papers

Archipelizing the Self: Creole Autobiographical Voices as Decolonial Method
Agathe Dubois — Université de la sorbonne - Paris
Speaker Bio

Agathe Dubois is a PhD candidate in Comparative Literature at the Sorbonne. Her work examines autobiographical writings of Patrick Chamoiseau through orality, memory, and plural voice as decolonial strategies. She has presented at the Alliance Française on magical realism and Creole literature, and at Université Laval on anticolonial solidarities. She also teaches French and philosophy at the Lycée Français in Cuenca, Ecuador.

L’ ART DU TÉMOIGNAGE CONTEMPORAIN :EXPRESSIONS DE SOI ET ÉCRITURES DE L’INTIME ARCHIPÉLIQUE
Marie JULIE — Artiste Auteure Indépendant
Speaker Bio

Marie Julie dite Marie Juillet ou encore Mademoiselle Marie Juillet est artiste, poétesse et chercheuse indépendante en arts, langages et littératures.Elle porte sur son attention sur la porosité comme langage. Sa praxis et Sa poíēsis  questionnent et se nourrissent de voyages, de rencontres, et d’altérité en tous contextes. Elle privilégie l’expérience d’une production artistique à son résultat efficient dans tous les contextes où celle-ci se rend perceptible.

Indeterminate Orbits: "Another Beautiful Country," "Scratching at the Moon," and an Asian American Aesthetics of Opacity
Vanessa Holyoak — University of Southern California
Speaker Bio

Vanessa Holyoak is an interdisciplinary Asian American writer and artist and a doctoral candidate in Comparative Media and Culture at USC. She is researching the liberatory potential of nocturnal states of indeterminacy in the creative practices of Asian diasporic, Francophone, and queer artists, writers, and filmmakers. Her first novel, I See More Clearly in the Dark, was published in May 2023 by Sming Sming Books, and explores the longing for ecological opacity in an era of hyper-illumination.

Saturday, February 28, 2026
2:00 PM EST - 3:45 PM EST
Room: 514A

Papers

Sustainable Identities in Diasporic Literatures of Québec
Joanna Cumyn — Cégep de la Gaspésie et des Iles
Speaker Bio

Joanna Cumyn has a Master`s degree in English from the Université de Montréeal. She currently teaches English Literature and Culture at Cégep de la Gaspésie et des Iles, Québec. Her work focuses on postcolonialism, diasporic literatures in English and French from Québec, and sustainable identities. 

The silenced voices of the Rubber Boom
Felipe Román Lozano — Université de Lausanne (UNIL - University of Lausanne)
Speaker Bio

Felipe Román Lozano is a Colombian scholar and writer based in Lausanne, Switzerland. He has taught literature and humanities while developing research on postcolonial studies, indigenous voices, and Latin American and African cultural history. His academic work examines silenced narratives in canonical texts and explores the intersections of literature, memory, and colonial violence in Latin America and beyond.

Equity as Development: Confronting Neoliberal Inequality Through Shared Lessons
Jana Konstantinova — Geneva School of Diplomacy
Speaker Bio

Dr. Jana Konstantinova is a researcher and writer on political economy, urban theory, and ecology. She holds a doctorate from EPFL, where she studied the intersections of capitalism, urbanization, and ecological crisis. Drawing on Marxist ecology and the Yugoslav Praxis School, her work critiques neoliberal development and advances equity-oriented alternatives. She is also founder of People’s Infrastructure, a platform for fair, transparent small-scale PPPs.

Saturday, February 28, 2026
4:00 PM EST - 5:45 PM EST
Room: 514A

Papers

Queer Phenomenology and Assemblages in "Drinking Coffee Elsewhere" by ZZ Packer
Dana Nevels
Speaker Bio

My name is Dana Nevels, and I am a PhD student at The University of Missouri.  

Orality and the Performativity of the Verbal Act of Apology and Conversion: Ibn al-Zibi‘rā’s Apologetic Address to the Prophet
Lubna Alshanquitiy — King Abdulaziz University
Speaker Bio

An Associate Professor at King Abdulaziz University, Jeddah, Saudi Arabia. Her research focuses on pragmatics, discourse analysis, stylistics, and translation, with a strong emphasis on the Arabic language and its cultural contexts.

Going Dark: Visual, Racial, and Poetic Abstraction in Ekphrasis
Yichu Wang — Cornell University
Speaker Bio

Yichu Wang is a 3rd-year English PhD student from Cornell University. His work explores modern/contemporary poetics, race, and aesthetic theory, with excursions into transnational modernisms, trans studies, and media studies. He received a MA in English at UVa, where he wrote his thesis on Agha Shahid Ali's relational poetics of making and the limits and affordances of the lyric as a form that, haunted by the loss of the beloved other, comes to be imagined as a negative space of non-appearance.