Miniature as Method
Description
In a world that constantly urges us to scale up—to dream bigger, to grow up, to grasp the “big picture”—what does it mean to think small? This seminar turns to the miniature, not merely as an object of study but as a method of inquiry. To think with the miniature is to reconsider scale itself—not as a neutral or fixed formal property of things, but as a way of seeing and knowing, shaped by desire, enabled by technology, and embedded within power relations.
From Gaston Bachelard’s meditations on corners and closets to Susan Stewart’s analysis of description and the dollhouse, from Gertrude Stein’s glitter and buttons to Marilyn Ivy’s account of domestic tourism, scholarship on the miniature emphasizes its complex intersections of reverie, memory, and cultural meaning. At once nostalgic and utopic, the miniature longs to embrace an imagined past and to fastidiously calibrate the future.
Technologically, we live in an age of miniaturization. Advances in information science, military surveillance, and medicine require shrinking scale. Miniaturization condenses density and detail, demanding close attention, technical virtuosity, and disproportionately large reserves of capital. At the same time, miniatures abound in daily life, appealing to popular consumer taste and mediating an affective relationship to objects that blends intimacy, control, and wonder.
The word “miniature” stems from minium, a red pigment once used to mark emphasis in illuminated manuscripts. Even before it connoted smallness, the miniature suggested structure—a way of producing coherence through aesthetic infrastructure, marked by an affective tension between part and whole. Unlike other small scales like the minuscule or microscopic, the miniature’s inward logic engages questions of fetishization, translation, and display, providing a rich lens for comparative critique.
Miniature as Method invites projects exploring miniatures and miniaturization across aesthetic, political, and social realms, especially those working comparatively to rethink diverse times, places, and practices.
Potential projects include but are not limited to:
- Flash fiction, drabbles, and short prose
- Haikus, tanka, and brief poetic forms
- Aesthetic ideas of scale: minor, marginal
- Short films, music, and small-format art
- Devotional miniatures: altarpieces, reliquaries
- Cabinets of curiosity and portable museums
- Mini consumer goods: samples, souvenirs, replicas
- Fashion and accessories: microskirts, microtrends
- Tiny places and spaces: islands, small homes
- Dollhouses and figurines
- Biological miniatures: gardens, bonsai, toy animals
- Miniature theaters, puppetry, automata
- Architectural scale models
- Mini food videos and slime ASMR
- Mini medical devices: sensors, implants, kits
- Military miniatures: model soldiers, terrains
- Finance micro-practices: microloans, transactions, economics
- Surveillance perspectives: drones, aerial views
- Archives and fragments: time capsules, exhibits, libraries
Schedule
Papers
Speaker Bio
Christiane Frey is Assoc. Prof. of German and Co-Director of the Max Kade Center for Modern German Thought at JHU. She previously held positions in German, Comp Lit, and the History of Science at the Univ. of Chicago, Princeton, NYU, the HU Berlin. Her publications include Laune: Poetiken der Selbstsorge von Montaigne bis Tieck (Fink 2016); and ed. volumes, among them Milieus of Minutiae (2024); Short Forms and Their Affordances (2023); and Säkularisierung (Suhrkamp 2020).
Speaker Bio
Rosa van Hensbergen is Assistant Professor in East Asian Languages and Literatures at Yale. Her first book, Moving with Words: Butoh Notation after Tatsumi Hijikata (forthcoming, OUP), theorises the notational method of butoh founder Tatsumi Hijikata. She has also written on contemporaneous American and European experimental performance. Alongside her academic work she publishes poetry, translations, and makes collaborative performance work.
Speaker Bio
Alex Benson is Associate Professor of Literature at Bard College. He writes about U.S. literary histories, specializing in the study of language politics, old media, and the environmental imagination. He is the author of a number of essays in journals and edited volumes and of a monograph published by UNC Press in 2023: Sound-Blind: American Literature and the Politics of Transcription.
Speaker Bio
Ada Smailbegović is a poet and theorist born in Sarajevo and currently living in Brooklyn. She is an Associate Professor of English at Brown University. Her writing explores relations between poetics, ecologies of displacement, nonhuman forms of materiality, histories of description, and the natural sciences. Ada is the author of two books Poetics of Liveliness: Molecules, Fibers, Tissues, Clouds (Columbia UP, 2021) and The Cloud Notebook (Litmus, 2023).
Papers
Speaker Bio
Kayle R. Avery is an interdisciplinary curator, historian, and PhD candidate at the University of Delaware writing at the intersection of imagination, creativity, and virtuality. His latest work explores the history and material culture of imagined worlds—from the first model train enthusiasts to the colonial revival and contemporary video games. His forthcoming dissertation considers the social history of model railroading in the United States through its visual and material culture.
Speaker Bio
Caroline LaPorte-Burns is a PhD candidate in art history at McGill University. Her dissertation examines the relationship between violence and ornament in its survey of early modern Dutch pearl resource harvest and craft. Her research has been supported by the Fonds de Recherche du Québec, the Historians of Netherlandish Art, and the Max Stern Museum Fellowship. Caroline received a BA in Art History and German from Barnard College and an MA in Art History from The Courtauld Institute of Art.
Speaker Bio
Stella Rossikopoulou Pappa is a PhD candidate at MIT in Mechanical Engineering with a minor in the History and Theory of Art and Architecture. Her research examines design history, play, and engineering, proposing methodological frameworks that articulate pedagogy and creativity through technical precision. She is a founding member of the EAHN Interest Group Children Matter and serves as a board member and session chair for DocTalks, advancing interdisciplinary dialogue in design research.
Speaker Bio
Julia Chang is Associate Professor of Hispanic Studies at Cornell University. Her specializes in nineteenth-century Spanish literature, contemporary Spanish non-fiction and visual art, and Philippine literature in Spanish. Her work also engages with feminist and queer theory, histories of racial formation, disability studies, and game studies. Chang is the author of Blood Novels: Gender, Caste, and Race in Spanish Realism (University of Toronto Press, 2022).
Papers
Speaker Bio
Brandon Borcoman is a PhD student at the CUNY Graduate Center and also teaches first-year composition at CCNY. His research interests include modernist poetics, as well as philosophies of difference.
Speaker Bio
Bryan Klausmeyer is Associate Professor of German at Virginia Tech. His research focuses on the intersection of 18th- and 19th-century German literature, the history of science, and media studies. He is currently completing a monograph that examines the poetics and pragmatics of small forms in the long 18th century, with a focus on the writings of Georg Christoph Lichtenberg, Jean Paul, Rahel Levin Varnhagen, and Goethe.
Speaker Bio
Joanna Fiduccia is Assistant Professor of the History of Art at Yale University, where she specializes in modern European art and the historical avant-garde. Her first book, Figures of Crisis: Alberto Giacometti and the Myths of Nationalism, will be published this spring with Yale University Press.
Speaker Bio
Melinda Alliker Rabb is Professor of English at Brown University and the author of Miniature and the English Imagination (Cambridge University Press, 2019), as well as Satire and Secrecy in English Literature 1650-1750 (Palgrave Macmillan, 2007), and numerous articles and chapters on literature and culture of the long eighteenth-century. Her new book is Parting Shots: War Trauma and Literature of the Long Eighteenth-Century.