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Realism, Globalization, and Cosmopolis

Type: Virtual

Virtual Session

Description

This seminar addresses questions about realism’s aesthetic and political implications from a global perspective. The genre of the novel is said to have spread all over the world at the time of the rise of realism or some years or generations later as a result of the second colonial wave and the global expansion of the capitalist economy. However, this is certainly not true of all non-Western cultures. On the other hand, modern realist aesthetics developed and theorized in the West from the mid-18th to the early 20th century often informed other genres than the novel (e,g. autobiography, travelogues, ethnography) in the “non-West.” Moreover, the compromise formation of “magic realism” deviated markedly from both mainstream realism and fantasy, while the historical novel and short story often played with myth (and still do).
Our first questions are:
What role does realism play in the age of globalization? Why does it persist, and why do authors, readers, and scholars keep returning to this aesthetic mode?
Does globalization entail standardization or an increased diversity of mimetic modes?
Are these phenomena constitutive of a literary/aesthetic cosmopolis or an impediment to it?
A subsequent question must be raised: Is realist aesthetics apt to give an account of globalization? 
If it was primarily European in the 19th century, purporting to react to socio-political situations linked to capitalist development, urbanization, and encounters with the “other,” capitalism, megalopolises, and extreme class disparities now seem to reign unhindered all over the world. Why is it that non-European cultures subjected to these imported changes often adopt other modes such as magic realism, the picaresque, lyricism, the epic, or even dystopian, apocalyptic projections? Compromise formations appear, and more ancient modes reappear in the non-West or the Global South, not as transitory processes towards realism but towards new representational modes that build on, expand, and deviate from mainstream realist aesthetics. Does it mean that mainstream realism was never sufficiently critical in the first place? Or is the resurgence and mixing of other modes an ill-placed, reactionary, anti-cosmopolitan Occidentalism? Or yet, should literary aesthetics be thoroughly rethought in a globalized world?

Selected papers given in this seminar can be expanded into full articles to be published in one or more later issues of the Migrating Minds Journal of Cultural Cosmopolitanism https://migratingminds.georgetown.edu/

Schedule

Friday, May 30, 2025
10:30 AM CDT - 12:15 PM CDT
Room: Virtual Conference

Papers

Mimesis and World Literature: The Representation of Reality in an Era of Postnational Capitalism
Robert Tally — Texas State University
Speaker Bio

Robert T. Tally Jr. is a professor of English at Texas State University. His recent books include The Fiction of Dread: Dystopia, Monstrosity, and Apocalypse (2024); The Critical Situation: Vexed Perspectives in Postmodern Literary Studies (2023); For a Ruthless Critique of All That Exists (2022); Topophrenia: Place, Narrative, and the Spatial Imagination (2019); and Fredric Jameson: The Project of Dialectic Criticism (2014).

Realist Existence and The Politics of Potential Totalities
Gabriele Lazzari — University of Surrey
Speaker Bio

Gabriele Lazzari is a Lecturer in contemporary literature at the University of Surrey. His research focuses on how contemporary literature engages with transnational migrations and the legacies of colonial and racial modernity. His monograph, New Global Realism, is a comparative studies of contemporary novels that still think in terms of totality. His work has appeared in Comparative Literature, Research in African Literatures, Critical Quarterly, and Public Books.

Toward a Cosmopolitan Listening: Precarity and Openness in Edward Yang’s Yi Yi (2000)
Ruochen Bo — University of North Carolina Wilmington
Speaker Bio

Ruochen Bo is an Assistant Professor in Film Studies at the University of North Carolina, Wilmington. She received her Ph.D. in Cinema Studies from the University of Toronto. Her research examines cinematic forms in relation to philosophical concerns regarding aesthetics and ethics. In 2022-23 she was a Hou Family Predoctoral Fellow at Harvard University’s Fairbank Center for Chinese Studies. Her work has appeared in Conversations: The Journal of Cavellian Studies, Film Quarterly, and Asian Ethnicity, among others.

Gurnah and the Silent Compulsions of Representation
Ashwin Bajaj — Williams College
Speaker Bio

Ashwin Bajaj is a doctoral candidate in the Department of Comparative Literature at University of California, Irvine. He is interested in the global novel, dialectical thought, and postcolonial studies, and his work has either appeared or is forthcoming in NOVEL, Studies in the Novel, and Postmodern Culture.

Friday, May 30, 2025
12:30 PM CDT - 2:15 PM CDT
Room: Virtual Conference

Papers

Reconfigurations of Postcolonial Literary Realism: Form, Aesthetics, Politics
Eli Park Sorensen — Chinese University of Hong Kong
Speaker Bio

Eli Park Sorensen is an associate professor in the English Department at The Chinese University of Hong Kong. He specializes in comparative literature, postcolonial thought, and critical theory. Sorensen received his PhD in Comparative Literature at UCL in 2007. He was a Junior Research Fellow at Clare Hall Cambridge (2009-2011) and a National Humanities Fellow at the National Humanities Center (2020-2021). He is the author of Postcolonial Studies and the Literary (Palgrave Macmillan, 2010), Postcolonial Realism and the Concept of the Political (Routledge, 2021), and Science Fiction Film (Edinburgh University Press, 2021), and has co-edited the collection East-West Dialogues (Peter Lang, 2020). Sorensen has published articles in journals such as NOVEL: A Forum on Fiction, Journal of Narrative Theory, Paragraph, Modern Drama, Research in African Literatures, Partial Answers, Forum for Modern Language Studies, Studies in Canadian Literature, and Genealogy.

Supplementing Socialist Realism: The Ups and Downs of Revolutionary Romanticism in Twentieth-Century China
Xiaolu Ma — Hong Kong University of Science and Technology
Speaker Bio

Xiaolu Ma is assistant professor in the Division of Humanities at Hong Kong University of Science and Technology. She engages in research in the interrelationship of trans-Eurasian literature and culture in the nineteenth and twentieth centuries. She is the author of Transpatial Modernity: Chinese Cultural Encounters with Russia via Japan (1880–1930) (Harvard University Asia Center, 2024). Her research articles have been published or are forthcoming in peer-reviewed journals, including JAS, PMLA, Modern Language Quarterly, Comparative Literature Studies, Modern Chinese Literature and Culture, Twentieth-Century China, among others.

“Collective Haunting: Maoist voices in contemporary realist fiction”
Meghan Gorman-DaRif — San Jose State University
Speaker Bio

Meghan Gorman-DaRif is an Assistant Professor of English and Comparative Literature at San José State University in California. Her research centers on Anglophone novels from India and across Africa, focusing on contemporary forms of realist and historical fiction as well as the Indian Ocean as a framework for literature. She has published articles in the South Asian Review on the contemporary Naxal novel in India, and Interventions: International Journal of Postcolonial Studies on the Mau Mau Uprising in Kenya, and has written several chapters for edited collections including for the forthcoming Oxford Handbook of Global Realisms.

Mimesis, Aestheticism, Anti-Communism: Negotiating Realism in Socialist Yugoslavia
Aleksandar Stevic — Lingnan University (Hong Kong)
Speaker Bio

Aleksandar Stevic holds a PhD in Comparative Literature from Yale and currently teaches at Lingnan University in Hong Kong. He is the author of Falling Short: The Bildungsroman and the Crisis of Self-Fashioning (Virginia, 2020), editor of The Limits of Cosmopolitanism (Routledge, 2019) and of a special issue of Genre on aestheticism today (2025, forthcoming). His essays have appeared in New Literary History, Victorian Literature and Culture, Journal of Modern Literature, and ELH, among other venues.

Saturday, May 31, 2025
10:30 AM CDT - 12:15 PM CDT
Room: Virtual Conference

Papers

The Stakes of Realist Aesthetics in Global Confrontation
DIDIER COSTE — Université Bordeaux Montaigne (Bordeaux Montaigne University)
Speaker Bio

Didier Coste, PhD in French Studies (Literary Aesthetics), PhD in Spanish Studies, HDR in Comparative Literature, Professor of Comparative Literature (retired) is the author of many scholarly articles and several books including A Cosmopolitan Approach to Literature (Routledge 2023) and Modern Indian Literature as Cosmopolis (Routledge 2024). Co-editor of the Migrating Minds Journal, he is also a trilingual award-winning translator, poet, and novelist.

Realism and Transcultural Identity in French Migrant Writing
Hicham Bouhlal — Indiana University Bloomington
Speaker Bio
Metabolizing Realism: Caribbean Narratives Beyond Western Aesthetics in Chamoiseau’s Texaco and Pineau’s La Grande drive des Esprits
Nicolas NOE — Indiana University Bloomington
Speaker Bio

N. Noé is a PhD student in French and Francophone Studies completing his dissertation on theoretical and aesthetic production in the Francophone Caribbean (1981-2007). His presentations on Frankétienne, Glissant, and the relation between poetics and politics in Caribbean literatures earned the 2024 William Slaymaker Essay Prize (Indiana University) and an Honorable Mention at the 38th Annual CIÉF Congress.

Arabesque Realism in Honoré de Balzac’s La Peau de chagrin and Voyage de Paris à Java
Michelle Lee — Wellesley College
Speaker Bio

Michelle Lee is Andrew Mellon Assistant Professor of French, Francophone and Italian Studies at Wellesley College. Her current manuscript, entitled Imperial Innovations: French Orientalism and the Post-Romantic Travelogue, 1830s-1860s, examines the Orientalist representations produced by Balzac, Flaubert, Du Camp and Baudelaire between 1830 and 1860.

Sunday, June 1, 2025
10:30 AM CDT - 12:15 PM CDT
Room: Virtual Conference

Papers

Real(ist) Presences : The Transmedial Aesthetics and Poetics of Plurality
Ipshita Chanda — The English and Foreign Languages University, Hyderabad
Speaker Bio

Ipshita Chanda has taught comparative literature since 1993, first at Jadavpur University, Kolkata and since 2017 at the English and Foreign Languages University , Hyderabad, India.

Walking Observations in Open City and Standing Heavy
Anjalee Nadarajan — York University
Speaker Bio

Anjalee Nadarajan is a PhD candidate in English literature at York University. Her dissertation focuses on the role of patience within Kim Stanley Robinson's and Thomas Pynchon's novels. One of her research interests in on formal innovations in the novel and their relationship to migrant realities.

The Colonial Realism Debate: Inter-imperiality and Fiction in Long Ying-zong’s The Caricature of Madame Zhao
Alexandra Yan — UC Irvine
Speaker Bio

Alexandra Yan is a doctoral candidate in the Comparative Literature department at UC Irvine. In her dissertation, "The Fourth Way Literary Imagination: Alternative Foci and the Entangled Matrix of Colonial Japanese-language Literature, 1930-1945,” she reads the Japanese-language fiction of Kim Sa-ryang, Ch’oe Chŏng-hŭi, and Long Ying-zong, for their literary imagination of a fourth way beyond the multilateral matrix of Japanese imperialism, Western modernity, and colonial nationalism.

Sunday, June 1, 2025
12:30 PM CDT - 2:15 PM CDT
Room: Virtual Conference

Papers

Forms and Perspectives of Literary Realism in the Global South
Natasha Belfort Palmeira — Université Paris 3 - Sorbonne Nouvelle
Speaker Bio

Natasha Belfort Palmeira was born in São Paulo in 1991. She holds a degree in Social Sciences from PUC-SP and a PhD in Literary Theory and Comparative Literature from the University of São Paulo and the Sorbonne Nouvelle University, with a dissertation on the novels of Machado de Assis and Gustave Flaubert. Among other works, she translated The Bildungsroman by Franco Moretti (Todavia, 2020). She was a Temporary Teaching and Research Associate (ATER) at the University of Clermont Auvergne.

Between Disenchantment and Re-Enchantment in Documentary: World Society or the Fable of a World Turned into Fiction?
Luigi Storto — Universitè de Toulouse II - Jean Jaurès (University of Toulouse-Jean Jaurès)
Speaker Bio

After obtaining an MA in Documentary by Practice at Royal Holloway University in London, Luigi Storto obtained a PhD at Jean Jaurès University in Toulouse, with a research on the relationships between documentary codes and fictional languages. He is currently working on an essay based on his doctoral thesis

Embodied Eco-Realism in Ochy Curiel’s Ode to Berta Caceres
Indrani Mukherjee — Jawaharlal Nehru University
Speaker Bio

Indrani Mukherjee retired as a professor from the Jawaharlal Nehru University last December, after 30 years of teaching Spanish and Latin American Studies.The last book that she published is entitled, "Posthumanist Nomadisms across Non-Oedepal Spatiality" by Vernon Press.

Pedagogical Realism: Orature and the Question of Belief in Two East African Novels
Ruth S. Wenske — Ben-Gurion University of the Negev
Speaker Bio

Ruth S. Wenske is a senior lecturer at the Department of Foreign Languages and Literatures at the Ben-Gurion University of the Negev. Her research focuses on contemporary Anglophone African literature, with a secondary research interest in the interconnectedness of literature, literacy, and language in East Africa. She has published in a range of literary and educational journals, most recently co-editing a special issue on African sf for Science Fiction Studies.