Reconsidering the Ethics of Reading
Description
For many defenders of Western liberal education, literature has always been an indicator and instrument of civilization, a correctional officer of the “rest” as it were. In fact, Martha Nussbaum famously asserts, literature “cultivates our humanity” and teaches us the habits necessary for “world citizenship.” However, literature does not exist in a vacuum. As Olivera Jokic reminds us in her article “No Country, No Cry,” “Built around state/nation/territory, literature has always lived in the powers of its language, markets, education systems and empire” (783). Under these systems of power, literature in Western liberal education is susceptible to sustaining systems of exclusion and upholding/reproducing epistemological regimes such as hetero-patriarchy, nation-state, settler-colonialism, borders, and other forms of exploitation and oppression. Gayatri Chakravorty Spivak warns similarly in her article “A Literary Representation of the Subaltern,” “A literary text exists between writer and reader. This makes literature peculiarly susceptible to didactic use” (340). Then, what is literature made to do? However, as scholars, we learn that literature holds transformative potential. Reading is framed as an ethical act where the reader gets access to the represented experiences of others, and they are invited to reflect on their positionalities. If so, what are the ethics of reading? How should we read without reproducing epistemological regimes? Why/how do some texts challenge our ingrained ethics? Are institutions (like the university) antagonistic in the reading process? As we grapple with these questions, we hope this conference provides a space to reflect on the consumption of literature, the reading market, and our ethical responsibility as scholars, thinkers, and activists toward literary pieces.
Some contributions might explore, but are not limited to, the following lines of investigation:
1. Reading practices: affective reading, reparative reading, surface vs. symptomatic reading, reading against whiteness, and queer reading
2. Reading morality and immorality: moral criticism, didactic reading, queer immoralism, and obscene reading
3. Reading and/or narrating the body: bodies as sites of inscription, corporeal narratology, biopolitics, performative body, disembodiment, and testimony
4. Reading and/or narrating the margins: counterpublics, oral histories, intersectional archives, minor literature, and borderlands
5. Literature and power: propaganda/state, narrating the nation (e.g. imagined communities), postcolonial nation-building, queer citizenship, racial capitalism
7. Literature and Humanism: liberal humanism, literary communities (such as book clubs or interpretive communities)
8. Representation and its limits: the unrepresentable (trauma), the inexplicable, and the untranslatable
9. Literature and language: multilingualism, translation, semiotics, queer linguistics, and language ideology
Schedule
Papers
Speaker Bio
I am Professor of French Studies at LSU. My primary specialization is the 19th-century novel, but recently I have moved into colonial history with a focus on exploration narratives, decoloniality, and extra-literary (or para-literary) forms of expression. This paper is derived from one chapter of my current book manuscript, Travellers With Baggage: Intellectual Imperialism and the Invention of Memory.
Speaker Bio
Katherine Carithers (she/hers) is a fifth-year doctoral candidate in English pursuing a Certificate in Gender, Sexuality, and Feminist Studies. Her dissertation focuses on representations of desire in Victorian novels and her research interests include novel studies, queer theory, postcolonial theory, psychoanalysis, and deconstruction. Since 2023, she has worked extensively with the Eve Kosofsky Sedgwick (EKS) Papers: as an Archival Expeditions Fellow, she designed an undergraduate course module around the EKS Papers; as a Sallie Bingham Center Summer Intern, she completed archival description of the Multimedia Artwork series (boxes 64-67 and 72-77); and, most recently, she curated the 2025 exhibit "'An Open Mesh of Possibilities’: Thinking Queerness with Eve Kosofsky Sedgwick's Archive" at Duke University.
Speaker Bio
Graduate Student of Comparative Literature at the University of Copenhagen.
Exchange student at the University of St. Andrews in 2024.
Speaker Bio
Lauren Hough (she/her) is a graduate student in Critical Studies at the Pacific Northwest College of Art, and holds a BA in Feminist and Gender Studies. She writes cultural criticism, and researches the aesthetics and politics of self-performance and authenticity in online literary cultures. She is currently the Graduate Curatorial Fellow at PNCA, Coordinator of the PNCA Symposium, and will soon begin work as Accessibility Curator for the MLK Jr Park Art Installation project in Corvallis, OR.