Renegotiating Ethics in Literature and Film
Description
In moments of rupture—whether personal, political, or planetary—narratives frequently stage ethical crises that challenge and destabilize established frameworks of responsibility, relationality, and judgment. How do literature and film illuminate the fragile, often invisible networks of moral obligation that bind us to one another, particularly when these ties are strained by trauma, contingency, or crisis?
This seminar invites papers that investigate how narrative forms grapple with ethical responsibility amid unpredictability, focusing on how contingency reshapes moral action and reveals the persistent tensions between individual autonomy and collective obligation. What do we owe each other across chance encounters, asymmetrical relationships, or traumatic events? In what ways do texts make visible—or conceal—the ethical imperatives of witnessing, care, complicity, and silence?
We particularly welcome submissions that explore how literature and cinema renegotiate ethics in light of the Real, engaging with works such as Ian McEwan’s Enduring Love, Claire Keegan’s Small Things Like These, Kazuo Ishiguro’s Never Let Me Go, Margaret Atwood’s The Handmaid’s Tale, Toni Morrison’s Beloved, J.M. Coetzee’s Disgrace, Albert Camus’s The Plague, Ursula K. Le Guin’s The Ones Who Walk Away from Omelas, Flannery O’Connor’s A Good Man Is Hard to Find, among others.
Topics of interest include, but are not limited to:
- Narrative representations of guilt, complicity, and ethical failure
- Truth, lies, and the ethics of narration
- The ethics of memory and forgetting
- The ethics of violence and justice
- Ethics of witnessing, care, and relationality
- Ethics and the Real: Lacanian and psychoanalytic perspectives
- Ethics in times of crisis: pandemics, war, and catastrophe
We welcome contributions from all historical periods, geographic regions, and genres that engage these questions through literary and cinematic texts, as well as theoretical reflections that extend or challenge inherited ethical frameworks. Comparative, cross-cultural, and interdisciplinary approaches are especially encouraged.
Schedule
Papers
Speaker Bio
Zuzanna Ladyga is Associate Professor at the Institute of English Studies, University of Warsaw. Her research focuses on the intersections of ethics, aesthetics, and affect in contemporary literature. She is the author of The Labour of Laziness in Twentieth-Century American Literature (Edinburgh University Press, 2019) and Rethinking Postmodern Subjectivity: Emmanuel Levinas and the Ethics of Referentiality in the Work of Donald Barthelme (Peter Lang, 2009).
Speaker Bio
Chia-Chieh Mavis Tseng is Professor and Director of the Language Center at Taipei Medical University. She earned her Ph.D. in Comparative Literature from Rutgers, The State University of New Jersey. Her research and publications explore visual culture, urban modernity, and memory studies. Her book, Memory Made, Hacked, and Outsourced: How 21st Century Anglophone Novels Remember and Forget, was published by Palgrave Macmillan in 2023.
Speaker Bio
Carole-Anne Tyler is Associate Professor of English at U.C. Riverside. Her research and teaching interests include literary, media, and cultural theory; gender and sexuality; film; fiction; and modernism and postmodernism. She is the author of Female Impersonation (Routledge 2003) and is at work on a book on the voice and the gaze.
Papers
Speaker Bio
Daniel Valella is Assistant Professor of English at the University of Michigan. His interests include U.S. multiethnic literatures, rhetorical theory, film, and queer critique. His current book project, American Ethos: Race, Coloniality, and Literary Persuasion, examines how U.S. minority writers since 1945 have developed new forms of rhetorical ethos—the illumination of shared rituals, spiritual beliefs, locations, and ethical values—to persuade readers to help eradicate social injustices.
Speaker Bio
Rachel Ziff O’Brien is a PhD candidate in the Department of English & Cultural Studies at McMaster University. Her research considers Holocaust-themed adaptations of Grimms’ fairy tales, with particular attention to intersecting portrayals of Jewishness, gender, and disability.
Speaker Bio
Janetsa J. Keovorabouth is a postgraduate instructor in English at the University of Nevada, Las Vegas. She teaches undergraduate writing and research courses, where she emphasizes critical inquiry, collaborative discussion, and student engagement in textual analysis. Her research interests lies at the intersection of Asian American literature and film, with particular attention to how narratives of memory, grief, silence, and adaptation shape questions of identity and belonging.
Papers
Speaker Bio
Damilare Bello is doctoral candidate in English Department at Duke University, where his work on the connections between automatic states, embodied cognition, and ethical futures threads interdisciplinary perspectives from literature, sound studies, media theory, and cognitive science. He is co-founder of African Thought and Media Working Group and convenes the ATM Event Series at Duke University where practitioners and scholars of African media interact.
Speaker Bio
Jein Kim is a graduate student in Department of English at Rutgers University. Her research interest covers African American literature, American literature, Black studies and critical theory. More specifically, she is interested in how 19th and 20th century novels narrativize the scenes of encounter, violence, and reparations, particularly within the context of Atlantic slavery and its gendered and sexual afterlife.
Speaker Bio
Choa Choi is a PhD Candidate in English at Brown University. She primarily works on multi-ethnic American literatures with a focus on postcolonial studies, environmental humanities, and narratology. Choi is interested bringing together the narratives of U.S ethnic minority subjects and the subjects of Global South into dialogue around the question of ethics and responsibility in narrating the vexed relationship between the particularity of the individual and the universality of collectivities.