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Representing Aging: Literature, Film, and the Demographic Shift

Type: Physical

Description

While I was working on this very description, a friend and colleague shared a BBC article reporting that Japan experienced its steepest annual population decline in 2024, with 908,574 more deaths than births. Japanese population shrinking – a “quiet emergency” in the words of Prime Minister Shigeru Ishiba — serves as a stark reminder that the global phenomenon of population aging is an ongoing reality. We are currently witnessing an unprecedented demographic reversal: according to United Nations projections (2001, 2019, 2022), by 2050, the number of older persons (aged 65 and above) will, for the first time, surpass the number of adolescents and youth (aged 15 to 24).

As a complex global issue, population aging presents significant aesthetic and representational challenges, comparable to those Timothy Clark associates with environmental crises (2019). While many of these challenges remain unresolved, old age has become increasingly prominent in cultural production. Since the turn of the 21st century, aging has emerged as a pervasive theme in world literature, a shift that has prompted a notable rise in critical engagement (Aghacy, 2020; Armengol, 2021; Barry & Vibe Skagen, 2020; Concilio, 2018; du Toit, 2013; Hobbs, 2016; Sako, 2022; Taberner, 2013). This prominence is especially visible in Anglo-American popular culture, where the so-called “silvering of the screen” has resulted in older actors and actresses taking on leading roles in Hollywood productions (Chivers, 2011).

These cultural texts offer valuable insights into the multifaceted implications of global aging and its entanglements with geographic, social, and cultural contexts. Moving beyond deterministic understandings of aging as a purely biological process, the interdisciplinary fields of Literary Gerontology and Aging Studies have provided robust theoretical frameworks for analyzing later life. Aging has emerged as a critical lens through which to analyze a broad range of human experiences and discourses, including embodiment, gender, sexuality, ethnicity, race, desire, identity, self, temporality, reproductivity, intergenerational dynamics, care, affect, labor, intimacy, family, friendship, medicalization, health, illness, death, memory, technology and reinvention.

Engaging with these themes, this seminar seeks to explore the aesthetic challenges of representing global aging and to examine productive tensions and intersections between the subjective experience of aging and its global dimensions across literary traditions and media forms. It aims to interrogate competing and coexisting conceptualizations of aging—for instance, aging as an embodied experience vs. aging as a transnational phenomenon. We invite papers that engage with these issues through literary, filmic, or theoretical analysis, as well as comparative approaches, contributing to an expanded understanding of aging in the contemporary world.

Schedule

Friday, February 27, 2026
8:30 AM EST - 10:15 AM EST
Room: 520D

Papers

How old is Phaedra?
Jennifer Kellett — Indiana University Bloomington
Speaker Bio

Jennifer Kellett is a PhD student in Comparative Literature at Indiana University. Prior to IU, Jennifer received her MA in French Literature at Florida State University, where she also received her BA in Theatre Studies and French. She worked professionally in the theatre industry, including at Imagination Stage, Florida Repertory Theatre, Stages St. Louis, and several summer festivals. She also taught in France for the TAPIF program, before returning to her post-graduate education.

Aging Sordidly in Devil Between the Legs (Arturo Ripstein, 2019)
Agustin Zarzosa — Purchase College (State University of New York)
Speaker Bio

Agustín Zarzosa is Associate Professor and Chair of Cinema Studies at SUNY Purchase. He is the author of Refiguring Melodrama in Film and Television (Lexington Books) and the forthcoming The Sordid Image: The Naturalist Cinema of Arturo Ripstein and Paz Alicia Garciadiego (Northwestern University Press). His essays on melodrama and film theory have appeared in journals such as New Review of Film and Television, World Picture, Cinema, Angelaki, and Discourse

Fantastic ageing in Spain: Cristina Fernández Cubas and a new life
Lisa Surwillo — Stanford University
Speaker Bio

Associate Professor of Iberian and Latin American Cultures at Stanford University. Author of Monsters by Trade, The Stages of Property and La Bisabuelita as well as numerous articles on modern Spanish and Cuban literature and culture. 

Two Women, One Watchful Town: Aging, Intimacy, and Defiance
Marjan Heidari — The University of Texas at Dallas
Speaker Bio

I am Marjan Heidari. I am doing my PhD in literature at the University of Texas at Dallas. As a teaching associate, I teach rhetoric to UTD undergraduates. I am interested in comparative literature, feminism, postcolonial literature, and psychoanalysis. 

Saturday, February 28, 2026
8:30 AM EST - 10:15 AM EST
Room: 520D

Papers

Escaping the Nursing Home in East and West: A Comparative Study of Full Circle and Cloudburst
Yusi Chang — Trent University
Speaker Bio

Yusi Chang is a PhD candidate in Cultural Studies at Trent University. She holds a Bachelor's degree in Teaching Chinese as a Foreign Language and a Master's degree in Film Studies, both from Nanjing University. Her current research explores the intersections of aging and film, particularly how Chinese cinematic narratives of aging engage with the spiritual quest for meaning. Her broader interests include critical and humanistic aging studies, self-help culture, and the films of Charlie Kaufman.

Reimagining Resilience: Older Women’s Agency and Community-Driven Justice in Select Indian Films
Debashrita Dey — Indian Institute of Technology Dhanbad
Speaker Bio

Dr. Debashrita Dey is an Assistant Professor of English in the Department of Humanities and Social Sciences at Indian Institute of Technology (Indian School of Mines), Dhanbad, India. Her research interests encompass Feminist Ageing Studies, Health Humanities, and Care Narratives. Her work has been published in journals, including the Journal of Postcolonial Writing, National Identities, South Asian Popular Culture and the International Journal of Human Rights in Healthcare, among others. 

Castration and Impotent Aging Body in Post-Occupation Japan: Kawabata Yasunari's Cultural-Aesthetic Fascism/Nationalism in *House of the Sleeping Beauties* (1961)
Yingzhi Lu — University of Illinois at Urbana-Champaign
Speaker Bio

Yingzhi Lu is a Ph.D. candidate at the University of Illinois at Urbana-Champaign. She is working on a dissertation project on representations of aging in contemporary Japanese literature, with a focus on metamorphoses of metaphorical imaginations about aging in their socio-cultural and gendered context. Her other theoretical interests lie in the intersections of disability studies, health humanities, and affect theories. 

Sunday, March 1, 2026
8:30 AM EST - 10:15 AM EST
Room: 520D

Papers

Aging in Amharic and Tigrigna Proverbs
Tesfaye Mesele Zinabu — Mekelle University
Speaker Bio

Tesfaye Mesele Zinabu (PhD) is an Associate Professor of English Language and Literature at Mekelle University. He has his Ph.D. from Addis Ababa University, and his research area includes gender, social values, social conscience, children, aging, justice, family, and inclusiveness. Currently, he is serving as Editor-in-Chief for ITYOPIS: Northeast African Journal of Social Sciences and Humanities at Mekelle University.

"Death and the Gardener": the process of aging as a collective image of all ages
Emanuela Tchitchova — New Bulgarian University
Speaker Bio

Emanuela Tchitchova is a French language assistant professor. Her PhD in comparative literature focuses on autofictional works of authors of the French Nouveau roman and Bulgarian contemporary novels, aiming to fictionalise the harrowing realities of transition and emigration. Her interests in literature aim to link literature and society, history and general literary movements ideas. Her specialised focus is autobiographical and autofictional writing.

Documenting aging and ailing: Sunada Asami’s Ending Note (2011)
Miyo Inoue
Speaker Bio

Miyo Inoue is an independent scholar based in San Francisco Bay Area. Her research interests include documentary films (especially focusing on the ethics of representation), Japanese cinema and literature.

Portrait of an Artist as an Old Woman in For Your Peace of Mind, Make Your Own Museum (Pilar Moreno & Ana Endara, 2021)
Aarón Lacayo — Gettysburg College
Speaker Bio

Aarón Lacayo is Associate Professor of Spanish at Gettysburg College. His book project, Unaccompanied Cinema: Ecologies of Violence in Contemporary Central American Film, examines the intersections of ecology, politics and violence in postwar Central American cinema. His essays on Latin American cinema and culture have appeared in journals and edited collections such as Comparative Literature Studies, Teaching Central American Literature in a Global Context and Ecocinema Theory & Practice 2