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"Doing" Media Studies in the Global South

Type: Virtual

Description

Over the past decade film and media studies have witnessed a substantial increase in published research into the production, circulation, and consumption of media in the Global South. Most often this research is intimately entangled with institutional inertia, endangered archives, decaying materials, constrained circulation, and hegemonic extraction. This corpus of literature now contains a widely recognized but unwieldy array of materials and practices that bring together non western media archaeologies and historiographies marked by absence of objects and texts. Our proposed seminar will bring together methods that emerge as crucial for developing postcolonial understandings of media where archival taxonomies are pinioned by the economic, geopolitical, and social systems that order them. Book acknowledgements, codas, and podcasts with the authors now inform us of the all too familiar narratives of doing media studies via fortuitous convergences and unexpected repositories, and of scholars who courted calumny, consummated deals with an unorganized army of brokers in fear and secrecy, and built their archives ethnographically. Their interlocutors are often uncredentialed, insalubrious individuals who in turn curate their private (and pirate) collections in unassuming warehouses in dusty alleyways of the Global South. We ask how such methodologies of media studies can unscramble Global Southern geopolitics: the power hierarchies tethered to it and the uneven logics of access in shaping and writing of media histories.

Our seminar challenges the citational underpinnings and methodological conduits drawn from the Euro-American canon to rethink doing media studies, where research operates as a means of negotiating the power of the state and the agency of its citizen-subjects. The seminar engages with practices, methods, and objects of Global Southern media studies not as residues from the global north but as living, throbbing, aesthetic, and political tropes that address legacies of colonialisms and racial, religious, gendered, and caste based violence. Our goal is twofold: one, to explore the convoluted densities of media cultures in the Global South, through papers that consider seriously, the meanings of doing media studies; and two, to confront how doing media studies highlights the linkages between state power and infrastructures of access in diverse geopolitical sites undergirded by systemic violence and repression. 
Possible areas of exploration include but are not limited to:

infrastructures and Politics of access
archival amnesia; indifference
bad objects; economies of waste
(ill)legality; informality
gossip, rumor, and hearsay as methods; oral history
cinema of attractions in the Global South
colonialisms; occupation; protracted forms of violence
subaltern forms of memory work; networks; community
official neglect; political precarity; bureaucratic regimes
reconstruction, recuperation, restoration, reparation

Schedule

Friday, May 30, 2025
12:30 PM CDT - 2:15 PM CDT
Room: 2025 Annual Meeting > Conference Rooms

Papers

Designing “Open” Nationalism: Techno-nationalistic Imagining in Indonesian Free Open Source Software Activism
Iskandar Zulkarnain
Manifesto of a National Defense Cinema: Towards an ‘Artistic Battleline’ and Cinema as Militant Environment in Pre-War Chinese Film Criticism
Chuanhui Meng
Playing in the Shadow: Or How a Stolen Police Archive Unscrambles Standard Media Historiographies
Silpa Mukherjee
Piracy as Praxis: Subverting Archival Constraints in Indian Media Studies
Rahul Kumar
Saturday, May 31, 2025
12:30 PM CDT - 2:15 PM CDT
Room: 2025 Annual Meeting > Conference Rooms

Papers

Listening to the Past: Memory, Migration, and Archives of Sound in Afghanistan
Mejgan Massoumi
What does it mean to think Third Cinema in Relation to Doing Archival Studies and Practices in the Global South?
Didi Cheeka
Ambedkar’s Iconoclasm- Entanglements of Doing, Desecration and Dignity in Contemporary North India
Aatika Singh
Profound Adornment: Building New Archives with Contemporary Maya Glyph Usage
Nancy Martínez
Sunday, June 1, 2025
12:30 PM CDT - 2:15 PM CDT
Room: 2025 Annual Meeting > Conference Rooms

Papers

Madame Mao as Durational Performance: Left-wing Cinema, Model Works, and Post-Mao Musicals
Karin Inouye
The Discontents of a Genre: Soft-porn Filmmaking and Scholarship as Subcultural Practice
DARSHANA MINI
Rumors of Film History: Researching Sex Media Infrastructures in the Global South
Ankita Deb