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Arabic Literature, or The Ancient in the Modern

Type: Virtual

Virtual Session

Description

“It would appear,” wrote Syrian poet Adunis in his Introduction to Arab Poetics, “that the return to the ancient has been more eagerly pursued whenever the internal conflict has intensified, or the danger from outside has grown more acute.” At present, with war machines, political crises, social media, and doubts about the future among Arab publics, such an observation seems truer than ever. But the wisdom of Adunis’s comment teaches us that people of every age, not just ours, have faced the crisis of the moment by probing the value of the past. This holds at the level of international politics all the way down to human individuality. And in any case, what is “ancient” in a given epoch was once “modern” in its time. Witness for example the medieval Arabic querelle des anciens et des modernes that pitted the antique “natural” style of pre-Islamic poetry against the cutting-edge “contrived” style of the Abbasids. Modernity, in some ways at least, is in the eye of the beholder. How and why have Arabic authors sought perspective in the past, in any period of literary history? What are “modernity” and “antiquity” in the context of Arabic literature? How and why have Arabic authors, both “ancient” and “modern,” received, recovered, recast, or even rejected their writerly forebears? These questions and more make our panel a unique setting to explore Arabic literary history, that is, Arabic literature’s movement across time and place. Possible papers may address the hows and whys of such movement: of imitation, translation, commentary, reception, intertextuality, parody, pastiche, allusion, quotation, genre history, and more. We invite panelists to think of how such literary mechanics served those who employed them: above all, returning to Adunis, the idea that “poetic modernity (ḥadātha) goes beyond poetry in the narrow sense, and is indicative of a general cultural crisis, which is in some sense a crisis of identity.”

This seminar is sponsored by Arabic Critical Poetics: Book Supplements to Journal of Arabic Literature.

Schedule

Friday, May 30, 2025
10:30 AM CDT - 12:15 PM CDT
Room: Virtual Conference

Papers

Classical Arabic Terminological Tabulation and the Current Intertextual Scene
Muhsin al-Musawi — Columbia University
Organic Unity in the “Personified Letter” of Ibn Ḥijja al-Ḥamawī (d. 837/1434)
Kevin Blankinship — Brigham Young University
'The Echo Rings Out in Every Ear': How the Past Haunts Modernist Arabic Poetry
Levi Thompson — The University of Texas at Austin
Saturday, May 31, 2025
10:30 AM CDT - 12:15 PM CDT
Room: Virtual Conference

Papers

Correcting Christians: Louis Cheikho, ʿĪssa Iskandar al-Maʿalūf, and the Curation of Arabic Literary History
Allison Gibeily — Northwestern University
Narrativizing the Ṣuʿlūk Figure in Modern Arabic Fiction
Ali Almajnooni — SUNY Binghamton
Ancient and Modern in Light of Muwaylihi’s Fatra min al-Zaman
Evelyn Richardson
Sunday, June 1, 2025
10:30 AM CDT - 12:15 PM CDT
Room: Virtual Conference

Papers

Samih al-Qasim and the Dialectic of Tradition and Modernity in Palestinian Poetic Resistance
Angelika Palmegiani — Mohammed V University - Rabat (Morocco)
Ancient History, Modern Maqāma: Shihāb al-Dīn al-Khafājī’s Allusions of Grandeur
Ghayde Ghraowi — Yale University
Modern Tunisian Fiction & the Revival of Ibn Khaldūn
Hanan Natour — Freie Universität Berlin
Crossed Mirrors: The Ancient, the Modern, and Clashing Intertextuality in Elias Khoury's Childern of the Ghetto Trilogy
Daniel Behar — Hebrew University of Jerusalem