Skip to main content

Future Memory: Intersections of Memory, Technology, and Narrative in Literature and Film Across Time

Type: Virtual

Virtual Session

Description

This seminar explores the concept of “future memory” in literature and film, examining how memory, trauma, and technology intersect to shape human cognition and narrative form. We consider works that challenge traditional notions of temporality and consciousness, and interrogate how memories influence identity—while speculating on how technological advancements may redefine lived experience.

Drawing on theoretical frameworks from trauma studies, including Cathy Caruth’s and Marianne Hirsch’s work on postmemory, we also engage with Jean Baudrillard’s concepts of simulation and hyperreality, and Donna Haraway’s cyborg theory to explore the porous boundaries between human and machine memory. Our investigation seeks to uncover how narratives throughout history have grappled with the malleability of memory and how they imagine its future in an age of rapid technological change.

Literary examples include Marcel Proust’s In Search of Lost Time on involuntary memory; Jorge Luis Borges’ Funes the Memorious and Virginia Woolf’s Mrs. Dalloway, which employ stream-of-consciousness techniques to reflect memory’s fluidity. Contemporary works that explore memory manipulation and identity reconfiguration in speculative futures include Yevgeny Zamyatin’s We, examining the erasure of individuality in a totalitarian regime; Margaret Atwood’s The Handmaid’s Tale and MaddAddam trilogy, which investigate the suppression of personal history and genetic engineering; and Philip K. Dick’s We Can Remember It for You Wholesale alongside William Gibson’s Neuromancer, both of which address technologically altered memory.

Cinematic representations—such as Eternal Sunshine of the Spotless Mind and Inception—further probe the malleability of memory and its entanglement with consciousness.

We welcome submissions that raise critical questions about the nature of identity, the reliability of memory, and the ethical implications of memory manipulation in technologically advanced societies. This panel invites diverse perspectives on the evolving concept of "future memory."

Schedule

Friday, May 30, 2025
10:30 AM CDT - 12:15 PM CDT
Room: Virtual Conference

Papers

Eternal Sunshine and the Paradox of Future Memory: Temporal Distortion in Pope's Verse and Gondry's Cinematic Narrative
Yu Min Claire Chen — University of Maryland, College Park
“Let them Study His Memories”: Mourning and Postmemory in Kogonada’s After Yang
Seokyeong Choi — Seoul National University
Beyond the Mnemonic Function of Modern Technological Media of Memory in “the entire History of you”: Recording and being recorded.
brahim akaya — Université Ibnou Zohr (Ibn Zohr University)
Saturday, May 31, 2025
10:30 AM CDT - 12:15 PM CDT
Room: Virtual Conference

Papers

Future Memory with Posthuman Apparatuses in Cinematic Dreaming
Thomas Mical — Esoteric Library of the Kangra Valley
Memory and Human Moments in the Posthuman: Don DeLillo’s Zero K
Ju Young Jin — Soonchunhyang University
Technologies of Consciousness in Jennifer Egan's "Vision" Trilogy
Callie Ingram — Rose-Hulman Institute of Technology
Entangled Memory: Zen, Quantum Physics, and Speculative Narrative in Ruth Ozeki’s A Tale For the Time Being
冠維 黃 — National Taiwan University
Sunday, June 1, 2025
10:30 AM CDT - 12:15 PM CDT
Room: Virtual Conference

Papers

Surveillance Technology and the Coded Language of Survival in Gary Shteyngart’s Super Sad True Love Story
Nicole Crevar — Miami University
“We will live!”: (Just) Forgetting for (Self) Liberation in The Sympathizer
Thanh-Nhan Le — Fu Jen Catholic University
… aunque nos impidan acceder a ello. The strategic suppression of memory in Mar Moreno’s El día que nos obliguen a olvidar (2019)
Karolin Schäfer — Universität Kassel (University of Kassel)
Memory Wars: The Battle over Perspectives of Sexual Assault in Shinning Girls (2022)
Min-Chi Chen — Independent Scholar