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Untangling the Past: the Figure of the Detective in Postcolonial and Transnational Fiction

Type: Virtual

Virtual Session

Description

The genre of detective fiction is "formally diverse, flourishing in multiple cultures, and engaged with the production of knowledge and transformation of consciousness within and across societies" (Nels Pearson and Marc Singer). According to Pearson and Singer, the genre is "engaged with epistemological formations […] produced in encounters between nations, between races and cultures, and especially between imperial powers and their colonial territories." Andrew Pepper notes, "the detective has always been a liminal, contrary figure," while Ralph Rodriguez describes the detective novel as "a productive form" that speaks to "new discourses of identity, politics, and cultural citizenship" in key cultural moments. Authors of crime fiction from transnational and postcolonial milieus have appropriated and modified the Anglo codes of the genre in order to adapt it to their particular contexts.  

This seminar seeks to investigate the intersection between detective/crime/noir/thriller/spy narratives (whether they be novels, films, TV productions, or other media) and transnational or postcolonial contexts. We aim to explore how these narratives engage with themes of politics, and cultural identities within postcolonial and transnational frameworks.

We welcome papers on topics including, but not limited to:

The figure of the detective, broadly interpreted, in fiction and its relationship to society.
Questions of citizenship and relationships between nations, races, and cultures.
The act of retrieving the past in traumatic or historically complex contexts.
The role of detective fiction in producing and challenging epistemological formations.
The transformation of detective fiction in postcolonial and transnational contexts.
Representations of race, ethnicity, and cultural hybridity in detective fiction.
Minority groups in investigative narratives
The reader/viewer as an investigator

We invite scholars from a variety of disciplines, including literature, film studies, cultural studies, cultural history, and beyond to submit proposals for papers that address these and related topics. Please note that the organizers of this panel are also interested in analyses of historical and cultural investigations beyond the strict genre of the detective novel.

Please feel free to contact the organizers Priscilla Charrat-Nelson ([email protected]) and Julia Calderón ([email protected]) should you have any questions.
 

Schedule

Friday, May 30, 2025
10:30 AM CDT - 12:15 PM CDT
Room: Virtual Conference

Papers

Cleaning up the Crime: Contamination, Purification, and Colonial Hybridity in Victorian Detective Fiction
Yixuan Jiang — University of Washington
Exploring the Backstreets of History: The Spectre of Colonialism Revisited in Contemporary Bengali Detective Fictions
Swarnima Banerjee — Indian Institute of Technology Jodhpur
Foreignness and Nationalism: Detective Fiction in Gujarati Post Indian Independence
Abhimanyu Acharya — University of Western Ontario
Saturday, May 31, 2025
10:30 AM CDT - 12:15 PM CDT
Room: Virtual Conference

Papers

Polar Crime: Nordic Detectives and Neo-Colonial Narratives
Brian Martin — Williams College
Finding the Lost Ones in Le Vent en Parle Encore
Kamelia Talebian Sedehi — Sapienza – Università di Roma (Sapienza University of Rome)
Transnational Pursuits and Postcolonial Shadows: Unveiling Dawa Through the Detective Lens
Priscilla Charrat-Nelson — Providence College
Investigating Arranged Marriages in Clément Baloup’s Mémoires de Viet Kieu: Les Mariées de Taïwan
Warisara Emily Sawin
Sunday, June 1, 2025
10:30 AM CDT - 12:15 PM CDT
Room: Virtual Conference

Papers

Neighborhood Holmes: Parody, Translation, and the Politics of Humor in Liu Fu’s The Grand Failures of Sherlock Holmes, 1915-1916
Qi Hong — University of Toronto
Detecting White Injury: Deon Meyer’s Benny Griessel Novels, Racial Disavowal, and the Post-Apartheid State
Marzia Milazzo — University of Johannesburg
The Corrupt Revolutionary Archetype in Cuban Detective Fiction: Postcolonial Identity in Leonardo Padura’s Personas Decentes
Delia García — Florida International University
The Crime of Touristification in the Detective Saga of Daniel Quirós
Julia Calderón — Indiana University Bloomington