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Whiteness: Imploding the Impermeable and Invisible Monolith

Type: Virtual

Description

This seminar invites papers critically exploring whiteness as an invented political and social identity category. We seek to investigate its emergence from the transatlantic slave trade, its persistence as an entrenched social norm, and its relative stasis compared to evolving terminology for other racial identities.

Central to our inquiry: Why do people who believe themselves to be white still invest in this category? What strategies might facilitate evolution beyond whiteness? As other racial designations have transformed—Black/Negro/Colored to African-American, Hispanic to Latin/x, Indian to Native/Indigenous, Oriental to Asian—we pose the crucial question: What does Post-Whiteness look like?

We encourage submissions examining:

Historical and ideological foundations of whiteness, including contributions of figures like François Bernier and Johann Friedrich Blumenbach to "Caucasian" classification.
Whiteness as a reactionary force, particularly in opposition to Blackness and other identities.
Contradictions between whiteness and moral frameworks, such as Christianity.
Possibilities for transcending, rejecting, or abandoning whiteness, and the stakes involved.

We welcome papers engaging with key concepts in critical whiteness studies, including:

Robin DiAngelo's "white fragility" and white racial socialization
Eduardo Bonilla-Silva's color-blind racism and social construction of whiteness
David Roediger's historical perspective on whiteness in the US
Ruth Frankenberg's intersectional approaches to whiteness and gender
George Lipsitz's "possessive investment in whiteness"
Peggy McIntosh's exploration of white privilege
Charles Mills' examination of whiteness through social contract theory

Research probing the complexities of whiteness from sociological, historical, philosophical, and cultural perspectives is encouraged. We particularly welcome explorations of potential pathways beyond whiteness and the societal implications of such evolution.

Goals:

Explore historical and political origins of whiteness and its enduring influence
Question whiteness's evolution (or lack thereof) compared to other racial identities
Examine potential for transcending whiteness and its implications
Investigate intersections between whiteness and moral/ethical frameworks
Analyze whiteness as a social construct in identity, privilege, and systemic racism
Envision possibilities for Post-Whiteness and strategies to facilitate this transition

Structure:

Three sessions, up to 12 panelists, 20-minute papers with discussion.

Submission:

Faculty and graduate students welcome. Submit a 250-word abstract and brief bio by the deadline.

Schedule

Friday, May 30, 2025
10:30 AM CDT - 12:15 PM CDT
Room: 2025 Annual Meeting > Conference Rooms

Papers

James Baldwin: White Racism or World Community in “This Morning, This Evening, So Soon” (1965)
Ronnel Keith Berry
The Historical Christian Origins of White Class Development
Sharonda Stith
Original Sins: Demystifying Whiteness as Property in William Faulkner's Absalom, Absalom!
Andrew Hamilton
The White Masochism of Hegel’s Theory of the Subject
Andres Henao Castro
Unsettling Whiteness: Hauntings and Racialized Affects in Post-1980 American Fiction
Audrey Deveault
Friday, May 30, 2025
12:30 PM CDT - 2:15 PM CDT
Room: 2025 Annual Meeting > Conference Rooms

Papers

Making Race Easy: Whiteness and American Multiculturalism in Bridgerton
Anwesha Kundu
Satire not Solidarity: The Indian Burial Ground on T.V.
Caitlyn Doyle
Eracing Whiteness: Redescribing Racial Difference in Contemporary American Writing
Kevin Trumpeter
Technology of Racialization: Scarlett Johansson’s Performance of Whiteness in Ghost in the Shell (2017)
Sheng Chiang
Saturday, May 31, 2025
10:30 AM CDT - 12:15 PM CDT
Room: 2025 Annual Meeting > Conference Rooms

Papers

Model Collapse: On Capital and White Anxiety
Brett Zehner
Whiteness, Quitting, and Quitting Whiteness in the Writings of Camara Lundestad Joof
Olivia Gunn
Eternal Flame: The Fire of White Supremacy and the Fragility of Home in Yaa Gyasi’s Homegoing
Niia Bishop
Cosplaying White Working-Class Identity
Matthew Ussia